Badges?
William Berger in the spaghetti western A Bullet for a Stranger, aka Gli fumavano le Colt… lo chiamavano Camposanto (1971)
(via)
“The eyes are the most important element to me. Everything can be read in them.”
—Sergio Leone
Jeanne Moreau and Brigitte Bardot are ready for action Viva Maria! (1965)
A Bullet for the General, aka El chuncho, quien sabe? (1966)
Clint Eastwood takes aim in a German lobby card for The Good, the Bad and the Ugly, aka Zwei glorreiche Halunken (1966)
The Magnificent Stranger, Italian lobby card (fotobusta). 1966
This appears to be an Italian repackaging of the TV show Rawhide. Given the success of the Dollars Trilogy, it would be good business to somehow re-cut Rawhide episodes into a feature film for overseas audiences with a new-found taste for Clint.
(via pleasantscreams)
Eli Wallach and Clint Eastwood in Sergio Leone’s The Good, the Bad and the Ugly, aka Il buono, il brutto, il cattivo (1966)
Henry Silva in a promo still for The Hills Run Red, aka Un fiume di dollari (1966)
Waltz and Foxx are a-blazin’ in Quentin Tarantino’s Django Unchained.
(via signiotics)
Lee van Cleef and Guiliano Gemma in ” Days of ira ” Le dernier jour de la colère “
(via macaroni-w)
A German lobby card for the 1966 spaghetti western Django spara per primo, aka Django – Nur der Colt war sein Freund, aka He Who Shoots First, aka Django Shoots First.
A German lobby card for the 1966 spaghetti western Django spara per primo, aka Django – Nur der Colt war sein Freund, aka He Who Shoots First.
A concept poster for A Christmas Story (1983) by Chad S. Pruitt.
