Dennis Hopper and Bruno Ganz in The American Friend, 1977, directed by Wim Wenders. Declares Pauline Kael: “The young German director Wim Wenders is attracted to the idea of telling a story, but he can’t quite keep his mind on it; he overdoses on mood-poetic urban masochism in this adaptation of Patricia Highsmith’s crime novel Ripley’s Game. Wenders’ unsettling compositions are neurotically beautiful visions of a disordered world, but the film doesn’t have the nasty, pleasurable cleverness of a good thriller; dramatically, it’s stagnant-inverted Wagnerianism.”

Dennis Hopper and Bruno Ganz in The American Friend, 1977, directed by Wim Wenders. Declares Pauline Kael: “The young German director Wim Wenders is attracted to the idea of telling a story, but he can’t quite keep his mind on it; he overdoses on mood-poetic urban masochism in this adaptation of Patricia Highsmith’s crime novel Ripley’s Game. Wenders’ unsettling compositions are neurotically beautiful visions of a disordered world, but the film doesn’t have the nasty, pleasurable cleverness of a good thriller; dramatically, it’s stagnant-inverted Wagnerianism.”

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    From what I gather, The American Friend is about Hitler growing his mustache out a bit and becoming The Doctor. Also...
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